Our Herstory

‘79 - June Adams and Betsy Reeves organized and conducted the
Cleveland’s Women’s Choir, performing in the 1979 Womyn’s Variety
Show.

’79 Spring - Lisa Rainsong and Gayle Pilat conducted. We sang at the
Kent Tenth Muse Coffeehouse. We performed at Hessler and
Coventry street fairs.

’80 - Penny Guy became the conductor. Highlight was performing
music by Kay Gardner in her concert in Harkness Chapel. ‘When We
Made the Music’ and ‘Twenty-First Century Woman’ featured Gayle
Pilat on oboe and Lisa Rainsong on piano. We also sang in the 1980
Variety Show.

’81 - Nan Gerard succeeded Penny as volunteer conductor for the
Variety Show when we sang Cris Williamson’s ‘Sister.’ After this,
the group disbanded because we did not have a permanent conductor.

‘81-’90 - A yearly fixture in the Variety Shows, the traditional ‘pick-
up’ chorus’ most memorable act was the Moral Chorale. Gayle
Crawford wrote the words and Gayle Pilat the music to ‘Why Can’t
You Girls Be Nice?’ ‘Stay at Home Ladies,’ and ‘Feminists.’ Pilat
wrote the words and music to ‘Draw Down the Moon,’ and with Lisa
Rainsong, ‘Words of Power.’ We sang both at the CWRU Gay and
Lesbian Conference.

‘87-’91 - Gayle Crawford consistently sought to rebuild a solid women’
s chorus but lacked a conductor to provide needed cohesiveness. A
chorus finally formed to sing in the 1992 Variety Show.

‘92 - Gayle Pilat conducted the chorus in the Variety Show.  We sang
‘I Am Here.’ After this performance, a committed group formed,
naming itself Windsong Womyn’s Ensemble.

’93 - Diane Hobus became our new conductor, and with Michelle
Colopy as business manager, stepped in to provide leadership.

’94 - Conducted by Diane Hobus , we sang ‘Perfect Night’ in the
Variety Show.

’95 - A small Windsong group called ‘The Hagettes’ gave a rousing
performance of Monica Grant’s ‘PMS’ in the 1995 Variety Show. In
the fall, Diane and Michelle left to form the Crooked River Women’s
Chorale in Akron.

‘95-’96 - Persistence kept six or seven hardy souls as the Ensemble,
even without a conductor or accompanist. We sang at the Variety
Show and for Women Speak Out’s Beyond Beijing conference. At
Cleveland Pride, we sang k.d. lang’s ‘Big-Boned Gal.’

‘96 October - Sharon Marrell was selected as our conductor. She
provided new leadership and instilled a new confidence in us. We
shortened our name to simply Windsong and thus a rebirth occurred.

‘97 - The new Windsong performed at the Variety Show to a standing
ovation and new-found respect from the community. In May we gave
our first concert under Sharon Marrell. That summer we sang at
Pride; at the WSOFPJ conference; Landfest; at the Garden Party
fundraiser; and with Pat Humphries at Crown Point. Aki Kawano
became our accompanist. and we sang at Akron’s Take Back the Night.

’98 - Our first winter concert, A Journey in Song, featured ‘Blue
(Grey) Skies,’ which we reprised for the Variety Show. In the spring,
our Dream Celebration concert featured ‘Something About the
Women.’ In June, we sang at the North Coast Men’s Chorus 10th
Anniversary concert.

’99 - Our winter Diversity Concert featured diverse Windsong
talents. In the spring our concert, Celebration of Life, featured a
Betsy Rose song celebrating womyn, ‘Comin’ Into My Years.’ The next
day we accepted a grant from the Women’s Community Foundation
with a rendition of ‘Now Let Us Sing.’ In the fall, Lauri Mendes
became our accompanist.

‘00 - We presented the Living Free concert in January. At the 25th
Annual Womyn’s Variety Show, we brought back the Moral Chorale.
On Mother’s Day we saluted Mothers and Memories. We sang at the
Gay/Lesbian Center’s Garden Party in July and in October at a
Women’s Coffeehouse. Ellen Catlin became our business manager.

‘01 - Our January concert celebrated The Ways of Love. May saw us
performing for the first time in the Sister Singers Festival, held in
Grand Rapids over Memorial Day weekend. In June, we premiered ‘’
WindSong,’ written for us by our special guest Ruth Huber, in our
Women: Voices of Conscience concert. Less than a week after 9/11,
we sang with Holly Near at the Odeon.

‘02 - Our January concert viewed Cycles in Song, highlighted by a
spirited rendition of ‘Hand Me Down My Jogging Shoes.’ In May, we
offered There Comes a Time with special guests the Rainbow
Wranglers who two-stepped while we sang ‘Down at the Twist and
Shout.’  We performed at the regional GALA festival in Cincinnati.

‘03 - Our Winter Concert featured songs Through the Years and we
premiered ‘Like a Mountain’ with music by Nancy Lau and the words
of Naomi Littlebear. In May, we combined a very successful silent
auction with a cabaret, Empowering Women’s Voices, spotlighting
several small groups. The fundraiser provided seed money for our
2004 performance of Where I Live.

‘04 - For the first time, we performed two winter concerts, one east
and one west. Karin Tooley has rejoined us as pianist, as we sang of
Music Flowing Through Our Universe. In May we presented Diane
Benjamin’s Where I Live an oratorio about the breast cancer
experience to a very moved crowd at the Cleveland Institute of
Music. We were joined by six women from Artemis Singers of
Chicago. A Windsong ensemble performed at the Montreal
International GALA festival in July.

‘05 - At the beginning of our ‘05 rehearsal season, we hired Karen
Weaver as our new artistic director and presented Steppin’ Out! to
a standing-room only crowd. Our Spring Concert, Hearing Voices,
featured a world premiere arrangement of ‘How Can I Keep From
Singing.’

‘06 - Our January concert was dedicated to Rosa Parks, celebrating
one of the great Voices of Truth, Voices of Freedom. In May, we
saluted women who paved the way in The Importance of Being
Ernestine and shared the concert with special guests, SheWho of
Philadelphia. In June ‘Windsong Lite’ performed at the Sister
Singers Festival in San Diego.

‘07 - We started our year with a very successful breast cancer
awareness concert funded by The Susan G. Komen Foundation
Northeast Ohio Affiliate. Our Winter concert, It Takes A Village,
included special guests CWRU’s Solstice women’s a cappella group.
The Spring concert was our first appearance in Trinity Cathedral for
Home Is Where the Heart Is.

‘08 - We went back to Trinity Cathedral for our Winter concert,
Women in Love featuring songs of love for everything from Venus to
our dogs. For this Spring concert we have returned to a favorite
venue at Archwood UCC to show you the Rhythm of Life with the
added backup of Gene Epstein on bass and Janet Pemberton on
percussion, plus our friends the Rainbow Wranglers dancing to a k.d.
lang tune.
As we continue to write new herstory for Windsong, we realize that
what has evolved is the desire of womyn to sing, and be
heard, and have a good time doing it. Life is good.